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works
Post.Partum.Body.

Post.Partum.Body.

A body that just performed a miracle is put in a diaper, considered ugly, deserving to be hidden: I sing a song to you.

Madonna Pandemica

Madonna Pandemica

Under a plastic shield flowers are born. Under a mask I'm becoming a mother.

BEATBEET II

BEATBEET II

CROSSING OVER...

CROSSING OVER...

Pedal to Submission (2018, The Hague) Performance art piece by Larysa Bauge titled ‘Pedal to Submiss

Pedal to Submission (2018, The Hague) Performance art piece by Larysa Bauge titled ‘Pedal to Submiss

A durational critique of capitalist culture and corporate mentality.

CARITAS

CARITAS

mutual nurturing

Aurora.

Aurora.

Mountain Veins

Mountain Veins

Chasing Dawn (2017, Venice) – Performance art piece by Larysa Bauge depicting a naked body reaching

Chasing Dawn (2017, Venice) – Performance art piece by Larysa Bauge depicting a naked body reaching

The bare human form is following the shifting light from a window in an empty room,

BEATBEET Part III.

BEATBEET Part III.

The day of the beast..

ROOTS

ROOTS

..their roots give name to all things...

DONA series

DONA series

InReligio/RED-circuit

InReligio/RED-circuit

Exploring Don Quixote, Frankfurt am Main 2019, Fotograf Jürgen Fritz-5.NEF-2197

Exploring Don Quixote, Frankfurt am Main 2019, Fotograf Jürgen Fritz-5.NEF-2197

BEAT THE ROOT. Part I.

BEAT THE ROOT. Part I.

This burden is endless...

Singing Belt

Singing Belt

violence of effort that leads nowhere

In memoriam...

In memoriam...

To K.

Artistic Practice

Raised in Belarus and shaped by a life across borders and disciplines, Bauge’s performance work engages the body as a site of inquiry into power, resistance, and the social mechanisms of control.

 

Her practice is rooted in durational and site-responsive performance, often employing minimalist actions, repetition, and absurdity to explore themes such as gender, labor, visibility, and institutional critique

Pedagogical and Research Interests

 

As an educator, Bauge designs and facilitates experimental learning environments that integrate embodied practice with critical theory.

 

Her teaching explores performance art as a method of research—an approach that activates somatic intelligence, collective inquiry, and creative resistance.

 

She works across disciplines to develop formats that support artistic autonomy, reflexivity, and dialogic learning

 

Current Research

Her current research investigates performance art as a method for understanding and resisting trained violence and gendered power within state-sanctioned systems

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